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THEATRE

Liberation Squares |Fifth Word/Nottingham Playhouse/Brixton House

Three teenage girls forge an unlikely friendship, beatboxing, dancing, and building their social media empires. But they undergo a political awakening when they realise that what you say – even what you think – is viewed very differently depending on who you are.

When they find themselves the target of the state surveillance ‘Prevent’ programme, they have to fight back. In an era when dissent is being criminalised, what does it take to speak up?

Liberation Squares is a riotous new comedy told through the technicolour lens of three teenage girls. Inspired by graphic novels, hip hop, pop culture and real-world activists. Starring Asha Hassan (Bad Education, BBC 3), Vaneeka Dadhria (Cyrano de Bergerac, West End), and Halema Hussain (The Father and the Assassin, National Theatre) and directed by Milli Bhatia, who I'm excited to be collaborating with again after Chasing Hares, Young Vic.

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Photography by Mathushaa Sagthidas

★★★★ "Liberation Squares is a comedic spin on censorship and when reality of what is  happening comes to light, it pulls you in. The play  closed to a standing ovation." A Youngish Perspective

 

★★★★ "Bhattacharyya’s portrayal of a clampdown on protesting, and a government investing its energies in a Minority Report-style bid to pre-empt crime, hits on something worryingly prescient at a time when our rights are under threat. It’s a pressing topic, compellingly explored." The Stage

Artwork: Rebecca Pitt

Arabian Nights |Bristol Old Vic

A reimagined Arabian Nights for modern times for Nancy Medina's first season at Bristol Old Vic! 

A daring heroine, captivating songs, and a timeless story of wonder and hope ✨

Schere has the quickest wits, greatest courage and most marvellous stories. Now she plans to liberate every young woman in the Kingdom from the greedy, tyrannical King. All through the power of her storytelling. But can she really do this alone? And is the first person she has to turn to really her annoying younger sister?

Together, they light up the Kingdom with magic, excitement, unity and hope in the festive season.

"There is a warm and winning energy to this production" - The Guardian

"Arabian Nights at the Old Vic is visually stunning, funny... an absolute delight" - Bristol Post

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Image by Bob King Creative for Chichester Festival Theatre

The Jungle Book |Chichester Festival Theatre

The best selling Christmas show Chichester Festival Theatre's incredible Youth Company have ever had! Over 23,000 people came to see our bold, reimagined take on The Jungle Book, with a thoroughly modern Mowgli in a fully decolonised jungle. 

Once upon a time a wolf pack discovers an abandoned child in the heart of the forest, and shelter her from the fearsome tiger Shere Khan. She’s given the nickname ‘Mowgli’, and raised as one of the pack. Baloo, the fun-seeking bear, and Bagheera, the serious panther, try to teach her from the Jungle Book, but she soon realises the Book doesn’t have all the answers.

When Shere Khan tries to banish Mowgli from the jungle she has to search for somewhere to belong – discovering what it really means to be human and how she can always rely on her friends.

"Huge energy, great characterisation and lovely choreography" - Sussex Express

Two Billion Beats |Orange Tree Theatre / Kirkos Theatre - Seoul

Seventeen-year-old Asha is an empathetic rebel, inspired by historical revolutionaries and iconoclasts Sylvia Pankhurst and B R Ambedkar. She’s unafraid of pointing out the hypocrisy around her but less sure how to actually dismantle it.

Meanwhile, her younger sister, Bettina, wide-eyed and naïve, is just trying to get through the school day without getting her pocket money nicked. When Bettina turns to her for help, Asha starts to ask what standing up for her political beliefs really looks like.

Photo by Alex Brenner

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Photo by Alex Brenner

★★★★ “Moving portrayal of sisterly love…I’d defy anyone to remain unmoved” The Guardian

★★★★ “Sonali Bhattacharyya has struck gold with this incredibly important play” Theatre Weekly

★★★★ “This timely and thoughtful new play from Sonali Bhattacharyya…compellingly shows that the stakes can be high when people – especially women – from a diaspora community raise their voices” WhatsOnStage

★★★★ “Confidently drawn two-hander that probes injustices, both domestic and colossal” The Stage

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Two Billion Beats became a 2022 phenomenon, with 2 productions at the Orange Tree Theatre, Richmond, and a Seoul production translated into Korean.

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Photography by Rosaline Shahnavaz, Design by Émilie Chen

Chasing Hares |Young Vic Theatre

Set between 2000s Kolkata and contemporary Leicester, Chasing Hares tells the story of one family's resistance against the inhumanity of machine capitalism. The Khub Bhalo garment factory is on lockdown, leaving Prab unemployed. He finds a way to win favour with Devesh, the boss' son by writing for his Bengali folk theatre troupe, but soon finds being Devesh’s right hand man is loaded with moral compromise. Prab is caught between his family’s modest hopes for a better life and his long-repressed desire for radical change. Is imagining a better future as hard as enacting one? 

 

 

Directed by Milli Bhatia (Seven Methods of Killing Kylie Jenner) and starring Irfan Shamji, Ayesha Darker, Zainab Hasan, Scott Karim and Saroja-Lily Ratnavel

★★★★ “Sonali Bhattacharyya's fast, witty script finds an original way to tell the global backstory of the zero-hours workforce, joining up the dots from child labour in West Bengal to unethical working conditions in Britain.” The Guardian

★★★★★ “The story seamlessly yokes the personal to the political ” The Telegraph

★★★★ "The way Sonali manages to mix comedy with thought-provoking and deeply affecting dialogue is a testament to her genius as a writer." All That Dazzles

Silence |Tara Theatre/Donmar Warehouse

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Based on personal testimonies from survivors of partition adapted from Kavita Puri's 'Partition Voices'. Co-written with Gurpreet Bhatti, Ishy Din and Alexandra Wood and directed by Abdul Shayek.

★★★★ "The power of ‘Silence’ comes in its impassioned, painful truths." - Timeout

"Silence is essential viewing – an act of collective remembering that propels a key moment in history back into the spotlight, where it belongs." - Whats On Stage

Photograph by Manuel Harlan

Assembly - Keyworkers' Cycle |Almeida Theatre

A love letter to teachers and the power of collective organising in the face of the pandemic, Assembly was part of the Keyworkers' Cycle, a season of work inspired by medieval mystery plays and dedicated to the people who kept the country going during the first year of Covid. Assembly was directed by Kate Colledge and starred Doreene Blackstock and Jonny Khan plus an amazing community cast.

★★★★ "A potent reminder of the way a generation of pupils was failed by the government at what was already a desperately hard time." - The Stage

★★★★ "Taken all together each well-researched play formed a smart state of the nation overview." - The Telegraph

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"Moving, courageous and memorable – emphasising the importance of kindness, dreaming, dancing and the mutual care that helps us survive." - The Observer

Photo by Ali Wright

2066 |Almeida Participation

'2066' imagines a future without universal healthcare and the impossible decisions this leaves a mother and her daughter. Directed by Dani Parr, with Sophie Melville as Eve and Sara Goddard as Kara.

Photo by Peter Schiazza​

Slummers |Cardboard Citizens

An immersive multi-story speculation on need, greed and good intentions, HOME TRUTHS is revealed through the world premieres of nine short plays by some of the UK’s most exciting playwrights: Sonali Bhattacharyya, Lin Coghlan, EV Crowe, Anders Lustgarten, Nessah Muthy, Chris O’Connell, Stef Smith, David Watson and Heathcote Williams with Sarah Woods.

The Invisible Boy |Kiln Theatre

Written for a young company in Wembley Park as part of Kiln Theatre's 'Mapping Brent' festival, The Invisible Boy is a funny, spooky look at how complicated things can get when you’re a teenage boy.

Old Vic 12 |Old Vic Theatre

I was really excited to be selected from over 1300 applicants as one of three playwrights for the inaugural Old Vic 12, the programme for developing theatre artists, introduced by Matthew Warchus, artistic director of the Old Vic. This incredible opportunity involved the chance to collaborate with the rest of the Old Vic 12 on a new commission, my play Five Years, which received a rehearsed reading at the Criterion, West End.

Photograph: Amit and Naroop
Photograph: Amit and Naroop
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